- I decided to use a photo I had previously taken of the empire state building
- I used the quick selection tool to erase the building from the image and I proceeded to use to paint fill tool to black this out.
- When using the quick selection tool I had to change the brush size multiple times to remove the building as accurately as I could
- I then decided that the background (the original picture) was too dull for the building being blackened so I decided to up the saturation of this layer
- After this, I added another layer where I used the different settings on the brush tool to inset more buildings either side of the current one as I felt this created a better effect
- I then added my final layer which was for the album title. I decided to call it 'Welcome to New York' due to the setting of the cover.
- I chose the font which I felt suited the cover the best and decided that it should be black in order for it to appear uniform
- Finally, I altered the font so that it had a shadow to create a 3D effect
Welcome to our A2 Advanced Production blog. Here we will be blogging about our research for the project, progress with the project and eventually the evaluation of the project.
Tuesday, 8 September 2015
HB: Digipack Production Task
For this task we had to create an album cover, by using an original image and minipulating it on photoshop. This was so we could learn how to use the basic tools and experiment with them.
HB: Comparison of Two Music Videos
How do mainstream artists use
music videos to construct star image?
Can alternative artists be authentic and avoid the commercialism of the star industry?
- Andrew Goodwin carried out research into mainstream music videos identifying typical conventions.
- Applying his theory (critical framework) to videos such as Blank Space by Taylor Swift, Republic Records, 2014 and Keep Swinging by Blitz Kids, Red Bull Records, 2015 can determine the extent to which they are conventional.
- The narrative for Blank Space is conventional as the relationship between the visuals and the lyrics is mainly amplified and illustrative
- This is evident as the relationship presented between the couple in the video follows the storyline of the song, for example, on the lyrics “screaming, crying, perfect storm” the artist is yelling at the man she is in a relationship with
- Furthermore, on “they’ll tell you I’m insane” she is destroying the man’s possessions to spite him, suggesting insanity
- This is the case throughout the entirety of the video helping the viewer to clearly follow the narrative they’re presented with
- Although Keep Swinging is more of an indie track than it is mainstream, Goodwin’s theory can still be applied to aspects of it
- Like much of the Blank Space video, the relationship between the lyrics and visuals are amplified
- However, whereas in Blank Space the visuals represented the actual meaning of the song (a relationship destined to fail) Keep Swinging has a slightly different approach
- The video is based on a boxing match which reflects the lyrics “when you’re down, keep swinging”, but the song as a whole is about the struggles of life, not boxing so it is not an exact portrayal though it is not disjunctive
- This is also the case for the relationship between the visuals and the music in Blank Space
- The editing (cuts) usually match the beats of the music and the fast cutting rate matches the upbeat speed if the song
- Also, the visuals are also representative of the music so the actions of the artist match the beats of the song
- For example, when the artist is throwing punches at the man they are in time with the song
- Moreover, when she sings “Oh oh” she moves her head side and side to match the beat
- The relationship between the music and visuals is less evident in ‘Keep Swinging’, although the cuts match the beats and there is a line of action which shows the band playing the song which obviously means their actions while playing the instruments match the music
- There is use of visual motifs in ‘Blank Space’ as Taylor Swift wears her iconic red lipstick throughout the video which fans link to her helping to construct her star image
- This is not something which is present within ‘Keep Swinging’. The bands logo is a unicorn which is the only thing commonly associated with them and this does not make an appearance
- Taylor Swift’s ‘Blank Space’ falls under the pop genre category. There are conventions typical for this, such as, many different outfits including gowns and suits connoting wealth.
- This highlights the big budget this music video would have had due to it being incredibly mainstream
- The location is also a sign of this as it is set in a manor house emphasising the idea of glamour and wealth
- This contrasts to Blitz Kids’ ‘Keep Swinging’ which is more indie rock.
- The band in this are dressed in dark clothing, the lead singer wearing a leather jacket which is a typical convention within this genre.
- There is a large amount of close ups of both Taylor Swift’s and Sean O’Pry’s faces in the ‘Blank Space’ video
- This especially shows Taylor Swift lip syncing and looking directly at the camera breaking the 4th wall
- While there are less close ups in ‘Keep Swinging’ there is still direct address of the audience by Joe James (lead singer) which still breaks the 4th wall
INTER-TEXTUAL REFERENCE TO FILM - WIDE SCREEN
INTER-TEXTUAL REFERENCE TO TAYLOR SWIFT'S OTHER VIDEO - 'SHAKE IT OFF'
INTER-TEXTUAL REFERENCE TO BEYONCÉ'S VIDEO - 'PARTITION'
INTER-TEXTUAL REFERENCE TO THE PARENT TRAP
INTER-TEXTUAL REFERENCE TO MATILDA
INTER-TEXTUAL REFERENCE TO MEAN GIRLS
INTER-TEXTUAL REFERENCE TO TWILIGHT
- Having these inter-textual references can aid the continued consumption as these would be easily spotted by her target demographic and they may try to look for them
- Richard Dyer researched the construction of ‘star image’ which highlights the difference between those who perform pop music and those who are pop stars
Various close ups of
the artist make her appear present which is emphasised by the first person mode
of address breaking the 4th wall. However, her talent and appearance mean she
is simultaneously present and absent creating an incoherence for the audience
which causes repeated consumption of the video. This clearly demonstrates how
music videos can help construct star image.
The artist is shown
destroying the belongings of her boyfriend for revenge which connotes rebellion
and disregard for social values. This conforms to the typical values stars
embody and makes the audience associate with them more.
The music video is based on a relationship which
ends up failing which causes the artist to appear ordinary to the audience as
this is a typical life experience. However, the costumes and location cause the
artist to look extraordinary reinforcing the need for continued consumption.
Furthermore, Taylor Swift’s USP is presented in the video as she is known for
both red lipstick and also writing songs about love lives helping to construct
the artificial star image.
There are fewer close
ups of the lead singer in this video than there are in Taylor Swift and often,
even when there is a close up, there is no first person mode of address and the
4th wall, therefore, is not broken. This, however,
causes the band to appear both present and absent simultaneously which is one
of the key paradoxes required for star image. This suggests that indie artists
do not always avoid this. It could be argued that this paradox is not present
enough to create the idea of continued consumption however.
There are two lines
of action within the video, on of which is based on a boxing match which
denotes violence and could connote the idea of rebellion. This is not an action
being done by the artist themselves but since they are involved in the other
parallel line of action it creates a link between them and it. Since this is a
key attribute stars embody, this could suggest that alternative artists are
unable to avoid the commercialism of the star industry.
Monday, 7 September 2015
JH : Digipak Production Task
Analysis of WHITEOUT-
- I started off by finding a PNG of some musical notes to put as a background. I cut the notes in half and then mirrored it to look symmetrical across the back of the cover.
- The next thing I added was the gangster which I found by again simply searching for a "Gangster png".
- After all these images were added and edited I started work on the text by adding the company text at the top as well as the album name and artist name at the bottom. The result was Whiteout as you see it today.
-I decided to use a rather blocky font as I thought it looked smoother on the cold harsh background.
- After everything was in place I decided to add a layer over the whole thing which created a scratched look.
-Just for added aesthetics I later added a parental advisory sticker in the bottom right.
-Later I played around with the blending options to make the text stand out from the background.
CK: Digipak Production Task
- To begin with I removed a lot of the saturation from both images to give the album a more 'old school' feel.
- I also increased the concentration of the red and yellow hues to give the image a brown-ish feel, for the same reason as above.
- I used a brush to give the background some patterning and make it stand out more than a plain colour would. I did this by painting over a plain brown background and decreasing the opacity so that the brown colour still comes through.
- I also played around with the gamma on the picture at the top right of the cover, this made the shadows seem bigger and darker, emphasising the idea of a troubled background, which is a common meta-narrative amongst rappers.
- If I were to do this again I would improve the use of text in this cover, as it does not stand out enough, looks out of place and it's also quite dissimilar from other mainstream album covers.
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